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Moses and Kitch, two young black men, chat their way through a long, aimless day on a Chicago street corner. Periodically ducking bullets and managing visits from a genial but ominous stranger and an overtly hostile police officer, Moses and Kitch rely on their poetic, funny, at times profane banter to get them through a day that is a hopeless retread of every other day, even as they continue to dream of their deliverance.
After losing his parents in a car accident, Mukesh stays at his Aunt’s house in Delhi. Enrolled in a good for nothing course in college he finds peace by playing chess at the local cemetery, the rest of the times he worries over ways to make a living and taking care of his sisters. ‘B.A.Pass’ is a story looking at the fatal promise of a new life. When Mukesh meets Sarika ‘auntie’ at a kitty party, little does he know of the city and it’s ways and means to survive. Sarika seduces Mukesh, shy and inexperienced he falls for her. What follows is a twist of destiny, a kind of story that appears in the tabloids as ‘heinous acts of crime’
During the marihuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture.
Alisha Khanna, 30, ambitious, now finds herself at crossroads in life. Her six year long relationship has grown monotonous, her career seems to be going nowhere. But just when she had begun to accept this reality as unchangeable, her life is usurped by the arrival of her cousin, Tia and her fiancé, Zain, with whom she bonds over a troubled past and a common wish to break from its confines.
In a sweeping tale that spans 1000 years and multiple generations – from the distant past to the 19th century, the present day and a strange, dystopian future – this landmark collection traces the collective histories of Indigenous peoples across Australia, New Zealand and the South Pacific. Diverse in perspective, content and form, traversing the terrain of grief, love and dispossession, they each bear witness to these cultures’ ongoing struggles against patriarchy, colonialism and racism.
A wanderer named Jack DiMercurio secretly desires the life and wife of his more affluent friend, Andy Shelton. Past tensions resurface between the two men during an informal reunion at Andy’s cottage on Lake Michigan. One heinous act allows Jack to draw close to Andy’s wife Liz, but Jack finds living Andy’s life is a dangerous lie.
The feature-length documentary based on the life of former AFL star and passionate advocate for Indigenous causes, Adam Goodes.
Two girls from the Valley wake up to find that a passing comet has eradicated their world and left behind a mysterious red-dust and a pack of cannibal mutants. With the help of a friendly truck driver, the girls save the earth from a villainous “think tank,” karate chop their way through flesh-eating zombies, and, of course, find time to go to the mall.
Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan (“Surpass Men” in Chinese) is pressured to make a quick fortune and find mind-blowing sex before the costly surgery numbs her senses. Taking on a businessman’s biography writing job, she hikes into the misty mountains, where a chain of outbursts with her dysfunctional family, grumpy client, misogynistic co-worker and dreamlike romantic interest hilariously unfold. As deeply moving as it is luminously witty, writer-director Teng Congcong’s debut waltzes across the bitterness swallowed by her generation of women born under China’s One Child Policy, unprecedentedly burdened to “surpass men” while trying not to be “leftover women” at the same time. Saluting the 18th-century Chinese literature classic Dream of the Red Chamber in its title, the enchanting gem refreshes the novel’s transcendent contemplation on desire, death and womanhood from a modern cinematic perspective.
Set in a small isolated village in 14th century Wales, Alice is a sixteen year old girl who is accused of being a witch and causing the plague that has ravaged the village, taking the lives of many, including Alice’s own father. When it is revealed that Alice has been hiding her mother’s infection, she is forced to watch The Cleanser, an ominous masked figure, brutally dispatch her mother. The town preacher and de-facto leader Tom has eyes for Alice, and subjects her to five torturous trials after she spurns his advances. Escaping the night before her execution, with the help of her mother’s friend Mary, she flees into the forest and discovers the secluded hut of a mysterious healer, with his own troubled past and demons to face. He nurses her back to health, and teaches her how to exact revenge upon those that persecuted her.
Jack is a widowed “end-of-the-roader” struggling with his continued depression as he falls for Ruby, a passionate environmental engineering grad student who is embroiled in a poisonous waste controversy that threatens to shut down the biggest industry in her state.
Three wealthy children’s parents are killed in a fire. When they are sent to a distant relative, they find out that he is plotting to kill them and seize their fortune. This movie is extremely alarming, an expression which here means “a thrilling misadventure involving three ingenious orphans and a villainous actor named Count Olaf (Jim Carrey) who wants their enormous fortune.” It includes a suspicious fire, delicious pasta, Jim Carrey, poorly behaved looches, Billy Connolly, an incredibly deadly viper, Meryl Streep, and the voice of an imposter named Jude Law.
It’s the year 1970 and as Black Sabbath record their first album and mark the birth of Heavy Metal, Hera Karlsdottir is born on the cowshed floor at her parents farm in rural Iceland. The years of her youth are carefree until a tragedy strikes. Her older brother is killed in a accident and Hera blames herself for his death. In her grieve she finds solace in the dark music of Heavy Metal and dreams of becoming a rock star. As the years pass on the farm buried under a shroud of snow and a looming ominous mountain Hera practises her guitar and dreams of forming a band. Hera is a rebellious, misunderstood delinquent in her early twenties who can’t help but get into trouble. She dreams of escaping out into the world but somehow always ends up at her own doorstep. When her childhood friend returns intent on marrying her and a young priest moves to the farming community the wheels of fate start turning. Hera has to grow up, find her own voice and realize she can’t run away her whole life.
Led by Major John Cafferty, a squad of US soldiers are sent on a mission,deep into the mountainous regions of Afghanistan with orders to extract a mysterious top secret package. Now they are back home in a military hospital because they have no memory of what happened to them, or even who they are. In time, they start to recall the strange events that occurred: apparitions that appeared, luring some of them to their deaths and readings of a powerful electromagnetic energy from a strange unearthly power source. But there is no time to dwell on the past, they need to face the bitter truth about how they ended up in Afghanistan to begin with and the betrayals that wiped out their minds and nearly destroyed their lives.
A young man, Kazuya Mishima, wakes up alone in an unfamiliar hotel room without any recollection of who he is or how he got there. He is tormented by flashes of his past and by the face of an ominous stranger. The next thing he knows, Kazuya is ambushed and kidnapped by an underground crime organization and, soon after, turned into a ruthless assassin. During a mission to assassinate a man named Brian Fury, Kazuya finds that his target harbors clues to his true identity. With the help of Fury and a female assassin, Kazuya follows the clues, leading him to the lab of his reoccurring flashbacks. Here, he will finally confront his past and the ominous man of his nightmares – Heihachi Mishima, face the ultimate betrayal, and Ieam the truth about who, and what, he really is. TEKKEN 2: KAZUYA’S REVENGE is non-stop action from the first scene to the last.
In the throes of a zombie apocalypse, A troubled woman from Las Vegas with a dark past, finds herself stranded in the desert with a lone and ravenous zombie on her tail.
In a small Corsican village, the life of Hélène, ordinary and single, She works as a maid in a hotel and is married happily with her Husband Ange and her fifteen year-old daughter. Her modest and monotonous life seems to be predetermined… One day while cleaning a hotel room, she meets a young, seductive, American couple which is playing a game of chess. First fascinated and then passionate about the game, Hélène learns with great tenacity she studies the rule of the game to perfection. She can count on Dr. Kröger, who is a mysterious inhabitant, to help her to achieve her goals. But this positive transition towards a liberty for Hélène does not go about without deeply changing her relationship with family, friends and inhabitants of the village.
Ancient oceans teeming with life, Norwegian settlers, Native Americans and multinational oil corporations find intimacy in deep time. Following up his 2009 feature Crude Independence (SXSW), Deep Time is director Noah Hutton’s ethereal portrait of the landowners, state officials, and oil workers at the center of the most prolific oil boom on the planet for the past six years. With a new focus on the relationship of the indigenous peoples of North Dakota to their surging fossil wealth, Deep Time casts the ongoing boom in the context of paleo-cycles, climate change, and the dark ecology of the future.
In this tense and immersive tour de force, audiences are taken directly into the line of fire between powerful, opposing Peruvian leaders who will stop at nothing to keep their respective goals intact. On the one side is President Alan Garcia, who, eager to enter the world stage, begins aggressively extracting oil, minerals, and gas from untouched indigenous Amazonian land. He is quickly met with fierce opposition from indigenous leader Alberto Pizango, whose impassioned speeches against Garcia’s destructive actions prove a powerful rallying cry to throngs of his supporters. When Garcia continues to ignore their pleas, a tense war of words erupts into deadly violence.
I Believe I Can Fly (Flight of the Frenchies) is an amazing journey into the unknown. Two friends test the boundaries of free flight and friendship as they take their passion in a totally new direction. Join Tancrède and Julien on an incredible exploration into the world of free flight. The two friends are pioneers in ‘highlining’ – a vertiginous combination of climbing, slackline and tightrope walking. Using their skills and experience as climbers, the pair push their boundaries beyond the realms of possibility as they embark on a new evolution of their sport.
A decade and a half after their seminal indie film launched meteoric filmmaking careers, Splick and Jason find themselves staring at their own individual, pre-midlife crises. Having not spoken to one another since a late-nineties falling out, they’re each grappling with the challenges of stalled careers and relationships, as the hands of time creep ominously past forty-o’clock. Splick’s most recent TV show, centered around his character’s perverse relationship with dessert foods, is unceremoniously cancelled by the network, forcing a return to his childhood bedroom at his mother’s apartment in New York. Frustrated by a barrage of comments about the “good,” “funny,” movies he used to make with his old partner, Jason, Splick determines to seek him out and attempt a reunion.
Transfer student Mizuki Aonuma (Rina Sakuragi) is bullied mercilessly by classmate Aya (Eriko Nakamura) and others. Nevertheless, Mizuki is always able to maintain her calm composure. Kirie (Maika Shimamura), who has a passive character and is also bullied, becomes interested in Mizuki and longs for her. The two become close. With a guy named Shibanai (Syun Asada), Mizuki and Kirie decide to stand up to their tormentors. Mizuki though is badly beaten by Aya. Kirie and Shibanai are assaulted by teachers and endure shocking violence. Mizuki decides to get revenge. She wanders the street at night. At that time, Mizuki becomes possessed by a poisonous flower spirit. Madness of the flower spirit begins.
John Meehan created a terrifying trap of seduction, deceit and betrayal for countless victims. The illuminating revelations into his backstory showcase a series of events that flipped switches to create a monster wired for psychopathy. Goffard exposes John’s troubled background that built the foundation for his ominous fantasy world of lies and manipulation. In addition to hearing the Newell family’s terrifying tale, John’s first wife Tonia Bales and her daughters Emily and Abigail Meehan speak out, along with other women from his past who were caught in his web of lies.
Trying to escape her broken past, Sarah O’Neill is building a new life on the fringes of a backwood rural town with her young son Chris. A terrifying encounter with a mysterious neighbour shatters her fragile security, throwing Sarah into a spiralling nightmare of paranoia and mistrust, as she tries to uncover if the disturbing changes in her little boy are connected to an ominous sinkhole buried deep in the forest that borders their home.
Filmed in Karasjok, Norway – 200 miles north of the Arctic Circle, BBC Four rigs a traditional reindeer sleigh with a fixed camera for a magical journey across the frozen wilderness of the Arctic. Following the path of an ancient postal route, the ride captures the traditional world of the Sami people who are indigenous to northern Scandinavia and for whom reindeer herding remains a way of life. Deliberately unhurried, the rhythmic pace of the reindeer guides us along an epic two-hour trip that takes us over undulating snowy hills, through birch forests, across a frozen lake and past traditional Sami settlements.
On a train headed for England a group of travelers is delayed by an avalanche. Holed up in a hotel in a fictional European country, young Iris befriends elderly Miss Froy. When the train resumes, Iris suffers a bout of unconsciousness and wakes to find the old woman has disappeared. The other passengers ominously deny Miss Froy ever existed, so Iris begins to investigate with another traveler and, as the pair sleuth, romantic sparks fly.
Dr. Richard Sturgess leads a team of compassionate doctors at a veteran’s hospital. Along with Drs. Morgan, Handleman and Van Dorn, he fights to deliver adequate care to needy veterans in the face of funding cuts and a corrupt administration. To succeed, the staff may have to bend the rules and circumvent the villainous “Article 99,” a bureaucratic loophole that prevents veterans from receiving the benefits they deserve.
